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Lecturer
PhD (Cantab); MA (York University, Canada); Hon.s BA (University of Toronto)
| Telephone: | +44 (0)1224 272628 |
| E-mail: | n.boljkovac@abdn.ac.uk |
| Address: | Taylor A28 |
In January 2010, Nadine Boljkovac defended her University of Cambridge PhD thesis (passed without corrections), ‘Untimely Affects: Violence and Sensation through Marker and Resnais’ (Dr Emma Wilson, Cambridge, Supervisor; Dr Ian James, Cambridge, Examiner and Advisor; Professor James Williams, Dundee, External Examiner), following the completion of her MA (Theoretical, Critical, Historical Film Studies, York University, Canada), and Honours BA (Cinema Studies and English, University of Toronto, Canada). Her research explores affect, temporality (‘l’image-temps’), sensation and violence in relation to postwar cinema and twentieth century philosophy and modern thought.
Recipient of the Norman
Jewison Fellowship in Film Studies (University of Toronto), George Vari Graduate
Award in Film and Video (York University) and Marion Kennedy Continuing
Research Studentship (Newnham College, Cambridge University), and selected for
a SSHRC Canadian Government Scholarship, Nadine obtained her MA in 2004 with a prize-nominated thesis.
Throughout 2004 to date, Nadine participated nationally and internationally in conferences and was Convener of Cambridge University’s first film conference organised by a graduate student in 2005, ‘Cinema, War and a Society of the Spectacle’. Two PhD thesis chapter excerpts have been published (Continuum; Peter Lang); Nadine is deeply honoured to learn that a third PhD excerpt will be published (March 2011) in a collection that will pay tribute to the works of incomparable Professor Barbara Godard. With publications in the UK and abroad, Nadine thoroughly enjoys research and lecturing, and hopes to honour those whom have inspired her.
2009/10:
FS2002: Cinema and The Invention of Modern Life (Convener;
Lecturer; Tutorial Leader)
FS1504: Introduction to Film and the Cinematic Experience
(Lecturer)
FS2505: Cinema and Crisis (Lecturer)
FS35/4507: Time and the Image (Convener/Designer; Lecturer/Seminar Facilitator)
Marion Kennedy Continuing Research Studentship; multiple
other grants including several research and travel awards, Newnham College,
Cambridge, UK
SCMS Student Travel Grant (one of ten recipients, 135
candidates), Society for Cinema and Media Studies
Cambridge European Trust Long Vacation Scholarship,
University of Cambridge
Overseas Research Scheme (difference between home and
overseas composition fees; one of 130 of 1,400 nominated by Cambridge
University to participate in nation-wide competition; fewer than 130
successful)
Social Sciences and Humanities Research Council of Canada,
Doctoral Award (4 years; $80,000 Canadian, approximately £40,000)
(declined) Social Sciences and Humanities Research Council
of Canada, Canadian Government Scholarship ($105,000 Canadian; tenable only in
Canada; few top-ranked recipients offered choice of Doctoral or CGS Award)
Masters Thesis Award Nomination, Graduate Program in Film
& Video, York University, Canada
Commonwealth Trust Bursary (£4,000 per annum), University of
Cambridge
(declined) North American Postgraduate Award (one of four
Canadian and American recipients; £3,500) with additional departmental funding,
PhD Program in European Cinema, University of Warwick, UK
(qualification) Amsterdam School for Cultural Analysis PhD
Fellowship Reserve-List (eighth of 60 standing), University of Amsterdam,
Netherlands
Norman Jewison Fellowship in Film Studies (sole recipient,
$10,000 Canadian), Cinema Studies, University of Toronto, Canada
Presenter.
‘Schizoanalysis and Visual Culture’, Centre for Critical and Cultural Theory, Cardiff University, June 2010 http://www.cf.ac.uk/encap/newsandevents/events/conferences/viscult.html
Presenter. ‘CONNECTdeleuze:
Transdisciplinary Perspectives’, The Second International Deleuze Studies Conference, Universität zu Köln, August
2009
Presenter. ‘Thomas Elsaesser Film & Associated
Media Master-Class’, Centre for Research in the Arts, Social Sciences and
Humanities (CRASSH), in association with the Faculty of Modern and Medieval
Languages, Cambridge, UK, November 2007
Presenter. ‘Sensing Film: Body, Genre, Audience’,
Studies in French Cinema Conference 2007, French Institute, London, UK, April
2007
Presenter. ‘Gilles Deleuze: Texts and Images’,
Ninth Annual International Comparative Literature Conference, University of
South Carolina, April 2007
Presenter. French Graduate Research Seminar,
Department of French, Cambridge University, February 2007
Presenter;
Invited Panel Coordinator.
Film Studies Association of Canada, Congress of the Humanities and Social
Sciences, York University, Canada, May 2006
Presenter. ‘Cinema and the Senses: Thinking
Multisensory Culture’, Distinguished Scholar Workshop with Laura Marks, Faculty of Modern &
Medieval Languages, Cambridge University, March 2006
Presenter. Society for Cinema and Media Studies,
Vancouver, March 2006
Presenter
– declined. ‘Trauma in
Film’ panel, Midwest Modern Language Association, Milwaukee, USA, November 2005
Presenter. Screen Studies Conference, organised by
Screen Journal, University
of Glasgow, Scotland, July 2005
Presenter. ‘Sensorium: Philosophy and Aesthetics’,
School of Creative Arts; Department of Cinema Studies in the School of Art
History, Cinema, Classics and Archaeology; Melbourne School of Continental
Philosophy in association with the Department of Philosophy; University of
Melbourne, Australia, June 2005
Convener
and Presenter (opening
address). ‘Cinema, War
and a Society of the Spectacle’, Centre for Research in the Arts, Social
Sciences and Humanities (CRASSH), in association with the Cambridge University
Film Seminar, June 2005
Panel
Chair. Film Studies
Association of Canada, Congress of the Humanities and Social Sciences,
University of Western Ontario, May-June 2005
Presenter. Film Studies Association of Canada,
Congress of the Humanities and Social Sciences, University of Western Ontario,
May-June 2005
Presenter. ‘Politics of Cultural Memory’,
Manchester Metropolitan University, collaboration between the Centre for the
Study of Location, Memory and Visuality (MIRIAD, Faculty of Art and Design) and
the Cultural Memory and Ethics Research Project (Department of English),
Manchester Metropolitan University, November 2004
Presenter. Film Studies Association of Canada,
Congress of the Humanities and Social Sciences, University of Manitoba,
May-June 2004
Invited
Panel Chair. Film
Studies Association of Canada, Congress of the Humanities and Social Sciences,
University of Manitoba, May-June 2004
Presenter. Film Studies Association of Canada
Graduate Conference, University of British Columbia, February 2004
Presenter. Graduate Program in Film & Video
Conference, York University, Canada, November 2003
Book
Chapter. “Mad Love.” Gilles
Deleuze: Image and Text,
edited by Eugene W.
Holland, Daniel W. Smith & Charles J. Stivale (Continuum International
Publishing Group, June 2009).
Book
Chapter. “Intimacy and
Prophesy: Marker & Resnais’s Memories.” Anamnesia: Private and Public
Memory in Modern French Culture,
edited by Peter Collier, Anna Elsner & Olga Smith (Peter Lang, Modern
French Identities series, November 2009).
Editor,
Conference Compilation. The
Arts of Warfare. (Under
consideration, University of Toronto Press).
Reviewer,
Invited Book Review.
Gilles Deleuze, héritage philosophique,
coordonné par A. Beaulieu (French Studies, Oxford University Press, Journals, forthcoming).
Director and Author, Video and Essay. “Time’s Dance: An
Exploration of Trauma, Time and Memory.” ART-e-FACT: Strategies of
Resistance
3 (2004, online).
Journal
Essay. “Flights to
Freedom: Gender Representation and the Conflict of Tradition and Modernity in
Ousmane Sembène's Emitaï.”
Camera-Stylo,
University of Toronto Journal of Cinema Studies (2002): 37-52.
